Category Archives: How To Remix

Remix Workshop – A head start on a Lily Allen Remix

And the subject (Victim) is….

Lily-Allen1

Lily Allen!  We’re going to have some fun mixing around with her vocal, chopping her instruments, etc.

I’ve already taken a look at some stems, which you’ll be able to find on the FB page, or any other quality shop that carries Remix Stems!!

I started messing around with some ideas.  I started off with some cool modular drum samples from Maschine’s Raw Voltage Library.  Did a little editing, mainly of a pitch envelope on a kick drum.

The chorus synths sound REALLY nice, so I did a couple things with the second half of the chorus part:

1.  I exported the last 8 bars of chorus synths (just to cover all the chords) into a tidy file from Cubase.  Then I dragged that onto a Maschine sound (pad), and chopped it into 32.  That gave me a 1 beat / pad, so 4 pads / chord.  The chord progression repeats, so I have the first 2 chords twice – in the first half and second half of the whole loop.  The last 2 bars stick to an Eb chord, which is sort of a “wildcard” – it doesn’t naturally appear in the F major key that the song is in.

2.  I took the same loop of the chorus synths, and dragged it into Reaktor’s Skanner ensemble.  If you haven’t checked out Skanner, Bluewater VST has a great video on Skanner.  In this instance, I basically found a preset that got me close.  Keep in mind, ALL the sound is being generated based on my chorus sample – so what I’m hearing (EVEN with a preset!) is a completely new sound!  I did a little tweaking, and as Skanner was refusing to activate for me (in spite of my correct serial number!) I simply exported the audio from the track.  Now I don’t have to worry about the MIDI notes from that part again, I have pure audio to work with.  I made sure I was happy with the notes, but for a sound like this, very textural, I don’t feel the need to manipulate notes.  I’d rather manipulate the sound, the texture.   I added some delay to it and moved on.

Lily-fear-remix

Finally, I added some (very) low end from Massive, and then recorded some 8th note pulsed texture from the beloved, quirky Meeblip synthesizer.   I added the meeblip, chorus synths and some verb to a group so they could all be side-chained, and ran a feed off the kick to the SC comp for this.

Now things are pumping nicely, I like the funky patterns, and it’s definitely not what you’d first expect hearing her melody.  I’m not as excited about the intro / vs rhythm yet, and the chorus rhythm feels more laid back than I had thought I was aiming for.  I really like it though, so if I work on this more, I’ll perhaps keep it mellow / groovy.

 

We’re going to look at more ways to remix this LIVE at Phoneticsound Recording Studio.  Details will be on the Edmonton Electronic Music Producers page, and this will just be a local workshop.  If it goes well, we may build a way to do online workshops in the future too!

If you are in Edmonton, you can request to join the Edmonton Electronic Music Producers group on Facebook – it’s a private group, so don’t try if you’re not local.

Also, don’t forget to follow us on Twitter, and join us on Facebook!

 

UPDATE:  REGISTRATION IS LIVE!!!

If you’re in Edmonton / area, just click here for the registration page:

Eventbrite - The Remix Guide: Starting a remix (Live Workshop!)

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How to Start Remixing – Finding a great acapella!

How to Start Remixing – Finding a great acapella!

If you’re just getting started out, it’s best NOT to labour for hours just to finish your “first track”.  Look at it this way: your just starting the course, so it’s going to take some practise!  Be prepared to start many projects, and don’t be afraid to start remixing a new tune and trying some new techniques.

The more time you spend trying, testing, and experimenting, the faster your skills will improve.  Ahh, but I get ahead of myself…

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How to Make a Great Dubstep or Brostep Remix

How to Make a Great Dubstep or Brostep Remix

The great thing with dubstep, and its American counterpart brostep, is that they are still relatively new genres of music and therefore are constantly having their limits pushed. There are any number of new artists who are trying their hand at dubstep and brostep, and with every new face comes another person who is looking for advice on how to make a great remix. In order to help you get started making the best remix possible, we have come up with a few tips.

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